Homer’s
series of poems in Iliad was not my
favorite book that I read during high school. Unfortunately, during high school
the story of Odysseus’s quest to return home, after the battle for Troy was
won, was not told by Odds Bodkin. The idea of a lone figure on a quest is a
main aspect of Romanticism, and this element is easily distinguished in
Bodkin’s rendition of one of Odysseus’s journeys. Bodkins impeccable ability
to: play the guitar, change voices, create sound effects, and memorize a four
hour long story is but a few of the impressive abilities that he displayed last
week.
One of Bodkin’s most notable abilities is
the way he fluctuated his voice to isolate Odysseus from the other characters
of the story, thus respecting the romanticism element of Homer’s original work.
For example, Bodkin was able to alter the voice of Odysseus into a brawny and
confident sounding man. This vocal portrayal of Odysseus helped the audience
hear, and subconsciously imagine, how different Odysseus is portrayed in comparison
to the rest of his men. In addition, when Bodkin needed to express Odysseus’s
thoughts, he chose to do so in the form of a monologue. Each time Odysseus
retreated into deep thought Bodkin would slightly change the tone of his voice
of Odysseus into one that was deeper and darker. This slight change layered
with the already pronounced voice of Odysseus stays true to the original work
by highlighting how isolated Odysseus is from the rest of the characters.
In Charlotte Gilman’s short story,
“Yellow Wallpaper” Gilman uses the protagonist’s obsession with the yellow
wallpaper to eventually represent how isolated she becomes during the three
months in the colonial estate. Similarly to Homer’s Iliad,
the protagonist of the story becomes engrossed with her miniature quest to tear
down the yellow wallpaper. This obsession begins to isolate her. For example, the
protagonist believes that the “paper looks at me as if it knew what a vicious
influence it had.” Later we see this obsession develop to the point that, “ she
is gone, and the servants are gone, and the things are gone, and there is
nothing left…” Gilman develops the protagonist into a character so deep in her
own self pity, brought upon by her husband, that she eventually tears down the
yellow wallpaper in an attempt to free the woman trapped inside, and herself. Gilman
utilizes the isolated protagonist to suggest that isolation in its purest form
is a self-destructive action.
William Wordsworth’s poem, “I Wandered
Lonely As A Cloud” illustrates the sanctuary that the speaker finds when
immersed in nature, and speaks to the therapeutic property that nature holds.
For instance, “A poet could not but
be gay, /
In such a jocund company:/” is how Wordsworth describes the speaker’s
emotions while watching the daffodils dance. This exuberance is continued when
the speaker declares that, “In vacant or in pensive mood,/ They flash upon that
inward eye/
Which is the bliss of solitude;/
And then my heart with pleasure
fills,/
” Wordsworth is able to convey a message about nature that is not
commonly seen. Wordsworth highlights the peace that the speaker finds when
engulfed by nature, and how the speaker’s experiences with nature are later
utilized as a sanctuary when troubled or deep in thought.
In Nathaniel Hawthorne’s short story “The Birthmark”
the imperfection that Aylmer finds in his wife ultimately illuminates the
reader to the greed so often found in humans. Aylmer “found this one defect
grow more and more intolerable every moment of their united lives.” This defect
“which Nature, in one shape or another, stamps ineffaceably on all her products…”
becomes Aylmer’s obsession. He becomes engrossed in his quest to eliminate this
act of nature. In doing so he kills his love. Hawthorne, through displaying the
death of Georgiana, helps the reader understand the dangers of greed. In
addition, Hawthorne sends a message to the reader that attempts to highlight
the destructive consequences of man’s attempt at altering a force of nature
such as a birthmark.
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